Guitar Instructional DVD: Become A Great Performer
Knowing the fact that the approach you use to learn the guitar is the key-determining factor in your success or failure to actually learn, these three conclusions follow:
Its not uncommon to see the player’s advice be summed up in a grand total of three words: Practice! Practice!! Practice!!! Well of course we all know that practicing is the main ingredient. But rarely are we told much more than that. In my long quest to become an excellent player and to help my students do the same I carefully took note of what worked and what didn’t. What parts conventional wisdom is accurate and what parts are (at least in my opinion) are not. I believe the twenty concepts that have proven to bring great results to those who use them are:
Believe in yourself. You have probably heard that phrase many times before. Its unfortunate how many people still refuse to invest their own beliefs into themselves. I wrote an article on Perseverance which deals indirectly with believing in yourself. Please read it if you have a problem believing that you can reach your goals.
The only time one needs to learn lots of different styles of music is because your goals REQUIRE it. If you truly love a lot of styles and want to learn them all, then go ahead and do that. If you want to be a studio musician or a jobber, then you will need that versatility. Its very hard to be REALLY good at many styles.
The way you view yourself (as an artist and not merely someone who owns a guitar and plays it sometimes) is very important to the way you will think about what you are doing musically. The way you see yourself will also effect the results you will get as you are expressing yourself.
But for many people, it is a very disconcerting experience. I have gotten letters from people who have read some things I have written, and become afraid to practice! They are so aware of, and on their guard against, excess muscle tension, and the devastating effects for the developing player, they are afraid to touch a string!
What I didn’t know was that even though I was learning to keep up with these chord changes, I had so much muscle tension in my arms and other parts of my body, that I was locking in tensions that didn’t have to be there, and would come back to haunt me a few years later as I attempted the classical repertoire, where you don’t really get away with things like that. As the years went by, and especially in teaching others, I realized that it doesn’t have to be that way for anybody! There is a way of going about it that doesn’t create or allow this situation.
For instance, practice chord changes. Perhaps switching from an F barre chord to a D open is driving you crazy. Spend ten minutes going over and over the change.
When it comes to learn how to play guitar, getting the right information can be a daunting task. That’s why we put together this confidential report for you at guitar instructional dvd